BROWN


RUTHERFORD CHANG

Lives and works in Beijing, China

Education

1996 BA, Wesleyan University, Middletown, CT

Exhibitions

2008

Delirious Beijing, PKM Gallery, Beijing
Skipping the Page, The Center for Book Arts, New York, NY

2007

Analogous Logic, Temporary Storage, Brooklyn, NY

2006

Borderline, Platform China, Beijing, China
Fast Futures: Asian Video Art, Queens Museum of Art, New York, NY

2005

The 4th Bangkok Experimental Film Festival, Bangkok, Thailand
RĂ€ume und Schatten, Haus der Kulturen der Welt, Berlin, Germany
Insomnia, Institute of Contemporary Arts, London, UK
Dating Data, Josée Bienvenu Gallery, New York, NY

2004

SENI, Singapore Art Museum & Tanjong Pagar MRT, Singapore
R(A): Rated Artistic, Plastique Kinetic Worms, Singapore
No Return, Momenta Art, Brooklyn, NY
re: source, Art in General, New York, NY
The Presidency, Exit Art, New York, NY
Butternut Ink, Asian American Arts Centre, New York, NY

2003

AIM 23, The Bronx Museum of the Arts, New York, NY

2002

Global Priority, Jamaica Center for Arts & Learning, New York, NY; Pier-2
Art District, Kaoshiung, Taiwan; Herter Art Gallery, UMass, Amherst, MA; SFAC Gallery, San Fransisco, CA; Alternative Space Pool, Seoul, Korea

Bibliography

2005

Ho Tzu Nyen, “R(A) Rated Artistic: Artists Take on Cinema”, Art AsiaPacific, Spring 2005, pp. 80-81

2004

Chow, Clara, “Dying for Andy Lau,” The Strait Times, October 27, 2004, p. 5
Cha, Carina, “Singapore Wants In”, Art AsiaPacific, Fall 2004, p. 21
Cotter, Holland, “Art in Review: ‘No Return’”, The New York Times, October 1, 2004, p. 31
Chang, Rutherford, “Artist Project: Alphabetized Newspaper,” Cabinet, Issue 15, Fall 2004, pp. 96-97
Gluckstern, J., “BMoCA installations elucidate immigrant experience, media’s reach,” The Daily Camera, Section D, February 15, 2004

2003

Boucher, Brian, “AIM 23”, Flash Art, XXXVI:232, October 2003, p. 57
Rosenberg, Karen, “Market Share”, The Village Voice, August 27-September 2, 2003, p. 92
Madra, Yahya M., “Encircling the Real”, Rethinking Marxism, 15:3, July 2003, pp. 316-325
Powhida, William, “Artseen: Global Priority”, The Brooklyn Rail, April/May 2003





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